Argo (2012)


Argo (2012)After being stuck in what seemed like the 1950’s for my film viewing recently, I needed to be pulled almost bang up-to-date with something that I had been finding the right time to watch, which this time was Argo (2012) this years Oscar winning film, after being snubbed in all the major categories bar the really important one – best picture, which is won. Somehow after getting up from it, I would have gone for Life of Pi (2012). I can see how it won however, the old Hollywood loving itself number which they pull out every-so-often. And it allowed actor/director Ben Affleck to still pick up one of those trophies. I could spend the review trying to argue why it shouldn’t have won, in place of Ang Lee‘s masterpiece of storytelling, but that argument has probably been had by now.

Instead I’ll focus on why it won beyond the point I just made which is blinding the obvious as C.I.A agent Tony Mendez (Affleck) is given the job of providing the best worst option of rescuing 6 hostages from Iran in the 1980 when Iranian and American relations were at their worst when America was offering asylum to one of their leaders. Add to that the coup they helped to pull off with the U.K. years before didn’t really help matters.

The idea that Mendez brings to the table is as crazy as it gets, to set up a fake movie, complete with crew as a cover-up in order to get the 6 U.S workers out of the country to safety. At first the idea is seen as a joke, the only joke that is serious enough to be given the green light. Allowing Mendez to fly off to Hollywood and set up this fake film. Which sounds odd when you think about it. (I could go on forever explaining the falseness of the film, when films are just illusions). Where he meets make-up artist John Chambers (John Goodman) who finds the idea exciting, believing he will fit right in. Knowing that if they are to pull this off they need a fake crew and production company. All the back-story and material to make this all seem real. Even going as far as having a script reading at a convention. There is a clear counterbalance between the madness of the idea and the political tension that leans to madness in Iraq, needed to ease the situation. Turning then to find a producer Lester Siegel (Alan Arkin) who would be mad enough to go along with it all. I’m not sure why Arkin was nominated for his supporting role which was more deserved by Bryan Cranston who had more screen-time and was with Mendez the whole way on the operation.

Once the plan is set-out and in motion in Hollywood, it’s time to head over to Iran to meet and train the hostages in order get them out with plausible stories, knowing their aliases inside-out and back to front. There’s a leap of trust that needs to be made by all of them, something that comes easier to some rather than others, especially Joe Stafford (Scoot McNairy) who first persuaded them to leave the U.S. embassy when the riots began. his judgement is questioned when he fails to trust what is essentially their last hope to exit the country alive. If we didn’t have this tension the film would lose its attraction and become predictable. The rest of the hostages are more willing whilst still scared, especially when they go on a location scouting trip where things really heat up for the team.

The sense of danger is always there, even when we don’t see it, we feel it in the other scenes making all the more believable. The look of the film with the blend of new and archive footage is not that of seamless, instead an acknowledgement that this really took place, just being adapted slightly for the screen ratio. Whilst other footage is sewn more seamlessly to create the atmosphere of the time. Of course theirs a sense of nostalgia which goes with any film set in another period, mainly in the fashions and the set design. It all works perfectly.

Why did this win the best picture Oscar then? It was because Hollywood was part of a successful C.I.A mission and they wanted to celebrate that fact, It’s also a fun film that doesn’t take itself too seriously, it’s not too flashy and not too dark. Even with Affleck in the lead role he doesn’t come across as he owns the picture and no one else can touch it It’s about the hostages and how there were saved, giving them ample time. Whilst its competitors which I saw had their strengths, Life of Pi in the art of story telling and the use of C.G.I, whilst Lincoln was a superb depiction of Abraham Lincoln’s (Daniel Day-Lewis) to abolish slavery and end the civil war, it was too long and taxing on the audience with all the speeches which can overshadow the grand and classic performances. Whilst I never saw nor was interested by Zero Dark Thirty, the discussion of torture may have hindered any real prospect of getting that all important award. Leaving it between Argo and Life of Pi for me.

 

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