Meet John Doe (1941)
It’s been a while since I’ve seen a cockle warmer by Frank Capra and to be honest I could have waited a lot longer after seeing Meet John Doe (1941) which sees Gary Cooper and Barbara Stanwyck for the first time. I think all of Capra’s work will always be held up to his most successful picture It’s a Wonderful Life (1946), of course it was It Happened One Night (1934) which won all the Oscars, but it’s the James Stewart classic which sums up Capra as great director which every-time brings so much warmth into your heart it hurts when you cry just that little at the end.
Yet going over the films of his I have seen, comparing them full of warmth and values of a period in time and film history. I feel by the time of John Doe‘s release Europe is very much at war and America is watching from a safe distance, and the public is wondering when they will be drawn into the bloodshed that was WWII.
The set-up of journalist Ann Mitchell (Stanwyck) who will types out her last piece for a newspaper that has made her redundant, sparks a national outcry when a fictional letter of a man on the edge of life, fed up with the state of America and life declares that he was going to commit suicide on Christmas eve. This single letter sparks a reaction in the nation that wants this life to be saved, to speak out for the values that are in decline. Most importantly to raise circulation for the paper. Ensuring Mitchell’s job security and that of another man to become the face of this campaign. They pick John Willoughby, now known as John Doe (Cooper) who is accompanied with the suspicious ‘Colonel’ (Walter Brennan) who always brings Willoughby to account, to remind him of his hobo roots, to understand what money can do to a man if he lets it go to his head.
It takes a while for the campaign of John Doe to really settle in the mind of a would be pro baseball player, now giving his all to a cause that encourages the average joe of America to reach out and help their neighbour. These are very Christian values that underpin the film. Whilst in the background the owner D.B. Norton (Edward Arnold) of the paper is using the campaign to engineer a third political party to go against those in Washington.
There are moments of schmaltz that are synonymous with Capra which are immediately forgive, yet the tone of the film is too political, even in the wake of Mr Smith Goes to Washington (1939). When the power of the downtrodden man is brought across. However they are not half as emotive as past efforts such as You Can’t Take it With You (1938) where everything about those scenes is just right. I feel by the time of It’s a Wonderful Life (1946) everything that made a Capra film came together and sparkled, once more with his best leading man, began to crumble with his next film State of the Union (1948) which was extremely political and sadly outdated, even with one of Hollywood’s greatest on-screen partnerships.
For me all of those thoughts and ideas overlook heavily what could be a much greater film, there are moments but very few that see both Cooper and Stanwyck sparkle on screen in films to follow. John Doe will never harm Capra’s legacy which will be one of happy feel good films that touch the audience in a special place and speak of traditional values from a bygone era that to today’s audiences is a gateway to another time.
- Meet John Doe (1941): Frank Capra Takes On Facism (classicmoviesdigest.blogspot.co.uk)
- Meet John Doe (1941) – Film Locations (dearoldhollywood.blogspot.co.uk)
- The Nazis and ‘the People’ in Capra and Riskin’s Meet John Doe (ayearinthedark.wordpress.com)
- Meet John Doe (rheaven.blogspot.co.uk)
- Meet John Doe (1941) (anotheroldmovieblog.blogspot.co.uk)
- Notes on two films by Frank Capra: Meet John Doe (1941) and It´s a Wonderful Life (1946) (shomingekiblog.blogspot.co.uk)
- Meet John Doe (1941) (and-scene.blogspot.co.uk)
- Meet John Doe (1941) (nothingiswrittenfilm.blogspot.co.uk)