With the sad passing of the actor Philip Seymour Hoffman I had to find the time to watch his only Oscar-winning performance as Truman Capote in the dark Capote (2005) a film that I was previously wasn’t concerned about, thinking I would have far longer to get around to this film. Unaware of the actors battle with drugs that abruptly took him away. Leaving behind him a career of incredible performances in both Hollywood and art-house films, knowing at the time he was still very much hard at work.
Nonetheless I felt compelled to now view Capote with a renewed sense of respect for the actor who I already respected. His performance is completely transformative, going down the dramatic route of loosing weight, much like the Matthew McConaughey in Dallas Buyers Club (2013). Hoffman’s attention to the role goes into overdrive, taking on a high-pitched voice which at first unnerves the audience, not used to the writer of Breakfast at Tiffany’s and In Cold Blood which was the focus of the film.
When a family shooting in Kansas in 1959 catches the attention of Truman Capote he is compelled to use this news story as the basis for his next book. Like most artists, starting with the inspiration, not sure of the final form until it starts to take hold and forming, as he and friend fellow author Harper Lee (Catherine Keener) go on a research trip, at first in the guise of a magazine. There is an unusual fascination with the events for Capote as he meets the investigating detective Alvin Dewey (Chris Cooper) who wants very much to solve the case in a town that is not used to such tragic events.
The fascination for the case becomes almost a fetish for Capote as he seeks out all the evidence, to visit the girl who discovered the bodies of the family to the men who are finally brought in. Wanting to share their story with the world. Which for most would be just another newspaper story to sell the paper. Here we have another aim entirely to show to the country what can happen when things go wrong for people, their actions and the consequences.
Forming a careful bond with the convicted men who now await their final sentence, the book that Capote aims to write will remain incomplete until he has the truth of what happened, which lies with Perry Smith (Clifton Collins Jr.). The relationship is based on power and desires, all one way, leading to years of internal struggle and turmoil for Capote as he writes what is to become his last novel. Even with friends around him he finds it hard to really open to them.
Hoffman is mesmerizing as a man who is far smaller than him, taking on the life of a legend of modern literature, instead of the Audrey Hepburn classic for which he is more fondly remembered. We find the man, openly homosexual in a time that is still not ready to accept his lifestyle, being incredibly bald in his direction to seek out the truth, a truth that may cost him his sanity and happiness. Visually the film is very muted in tone with the dark subject matter. In a writers world, as one seeks out his newest project and another on the sidelines is being pushed into the limelight for To Kill a Mockingbird which later saw Harper Lee spending the rest of her life in seclusion. The writers life is full of struggles to get a book in the form they want, which can cost more than you first hope. The line between journalistic professionalism and distance is blurred in the endeavour for a story, from which you may never return.
- Capote (2005) (arajani.blogspot.co.uk)
- Capote (2005) (atandrewlawrence.blogspot.co.uk)
- Capote (2005) (mashlyn.wordpress.com)
- Capote (Bennett Miller, 2005) in tribute to Philip Seymour Hoffman (1967 – 2014) (criticafterdark.blogspot.co.uk)
- Truman Capote, In Cold Blood, PSH (cindybruchman.wordpress.com)
- Capote (2005) by Bennett Miller (sebasnadilo.wordpress.com)
- Capote (pnabarro.wordpress.com)
- Capote (2005), directed by Bennett Miller (filmtreelog.wordpress.com)
- Capote (2005) Directed by Bennett Miller (mylawyerwillcallyourlawyer.blogspot.co.uk)