I’ve given myself an hour to properly digest this epic film that really does deliver on visual spectacle if nothing else. I’ve known from just the trailer (which I’ve tried to avoid) that it references both Contact (1997) and more importantly 2001: A Space Odyssey (1968). It’s hard to really see Interstellar (2014) and not think of these two films. We seem to be getting more and more sci-fi with the message of saving the planet before it’s too late. More so here when its time to up-sticks and find somewhere else to live. It’s not an easy task when the world population has been reduced from one of materialist wealth and greed to one of pure survival, the world’s stock of basic food-stuffs is down to corn, which we see plenty of that throughout the scenes on mother earth that seems to want to get rid of us in sandstorms.
When single father of two Cooper (Matthew McConaughey) stumbles across a secret Nasa plan to find a new home for the human race, which is left in the dark about the project, seen as political futile, when its more important to put food on the table. The project lead by Professor Brand Nolan regular Michael Caine who by chance alone believes that the ex-pilot Cooper is needed to pilot the mission aboard the Endurance along with the professor’s daughter Brand (Anne Hathaway). For Cooper it’s a decision that doesn’t come lightly, his son Tom takes the news far better than Murph who is very much like her father develops feelings of abandonment. Left in the care of grandfather Donald (John Lithgow) who is able to see the bigger picture, knowing his son wants to make a difference.
The Endurance team leave planet earth with such hope and aspirations, knowing that they may never be coming back home, their families will probably never see them again. They have three possible planets to check out, thats after going through a wormhole that was conveniently found just next to Saturn. This is where the science really begins, already having our first serving courtesy of Professor Brand we have to let the science go over our heads to a certain extent to enjoy the visual splendour (not created in a computer). I do understand some of the science, having seen my share of sci-fi over the years, there are still moments I’m left scratching my head. But then If I was left thinking about all the techno-babble I would be missing the amazing planets that they visit. The lone spacecraft which Endurance docks travels through space.
Much like 2001: A Space Odyssey the science is still very much possible, none of what we see on-screen is too far away, apart from TARS (Bill Irwin) the onboard computer who accompanies the crew, more human than the computers we are used to. Predicting the level of sophistication that is in are grasp, give to take a century. Matched by McConaughey’s down to earth approach to the film that keeps everything grounded and engaging for the audience who is taken back and forth to earth (missing out the wormhole).
For this film to work minus the science (with the plot-holes) would be far less enjoyable. Nolan doesn’t patronise the audience with quick ideas, its researched properly, with added entertainment factor, it’s not supposed to be fully factual, it’s a film at the end of the day, if you wants facts read a book or read a science article. The science makes it all seem more real. I have to admire Nolan’s push for the celluloid film which is a dying medium, wanting to be authentic as possible. This way he was able to move away from the digital hold, allowing him to rely on good old-fashioned tricks of the light which you can really tell the difference when placed up against a C.G.I. blockbuster. We see little of space, but when we do, it’s wondrous and all spectacle, it’s an event of a film.
To say this film has faults I would probably shoot for the science which can go over your head at times like I mentioned earlier, it wouldn’t be Nolan without it. The cast is held together by McConaughey and Jessica Chastain as the older Murph, who fight for the truth when it is finally revealed we are left uncertain which way the film will lean. The rest of the cast are not really important, with a few pages of dialogue each.
From the reviews I’ve already read I was still left unsure how the reunion would come together. Where there is hopelessness at the beginning of the film, as if Nolan is against anything technological (not just digital film) he does have a point as much as we don’t want to admit it. My own mobile provider is practically forcing me to have an upgrade. The need for material goods is incredible that we loose sight of what is really important, the need for food, water, shelter and good health. Which without we would be screwed. Unlike Gravity (2013) which I can never watch again unless I’m wearing 3D glasses, I could easily watch this over and over for just the visuals which are heavily influenced by Stanley Kubrick who had not even heard of C.G.I. The need to improvise really pays off here, hearing stories of how Anne Hathaway stood on one leg to float about, all the old tricks work and hold up. The ludite in Nolan really pays off, because he works hard at his craft, he didn’t earn the title as the next David Lean from Michael Caine for no good reason.
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