The Tall T (1957) Revisited
The third of film of the Ranown Cycle, and the 3rd of the series in sequence is another strong entry. Set mostly in the Lone Pine which allows The Tall T (1957) to be a visually distinctive film to watch and reflect upon once you leave it. I am really enjoying my journey back into these darker B-westerns that really don’t deserve that label, the script elevates it to something far higher. I guess the budget and number of unknown actors ultimately dictates that definition. However I think that lack of high-profile actors, apart from Randolph Scott who had fallen out of favor unlike his contemporaries doesn’t seem to care, immersing himself into the material that makes it all worthwhile. The length of these films is just about right as-well, short, sweet and incredibly sharp for the adult audience at the time. It doesn’t talk down to anyone.
The beginning of the film is pretty straight-forward, Pat Brennan (Scott) rides in from what looks like the untamed wilderness, it’s all light-hearted as we meet the people of Contention another frontier town that is full of characters. I am already trying to workout who is going to make it on the journey ahead. Beginning at a stage stop once more, a recurring location in these films. Traditionally a passing place on the journey of most westerners in the genre. Popularized by Stagecoach (1939) which I originally saw this film as. Its much more and nothing like it in many respects. After a what is a carefree trip with Brennan through town buying candy for his friend’s son, you can see Brennan is a decent man who is everyone’s friend, he can’t do wrong.
All this is a false pretense as soon as he is horses-less he’s left vulnerable to whoever passes by. Hitching a lift on a stagecoach driven by old-timer and friend Ed Rintoon (Arthur Hunnicutt) who lets his ride up top. Going well so far until they reach familiar territory – the station, its deserting which is worrying to say the least. All’s revealed from the emptiness where so much life happened, it’s a band of four men led by Frank Usher (Richard Boone) who reveals what has just happened, the death of father and son buried in the worst place, down the bottom of a well. It’s not a good start to the second half of the film. This is the beef of the film, what we have waited for, away from civilization, from law and order, where things are supposed to make sense. Now three men are in charge and its only going to get worse.
Hopes of a making a bargain are offered by newlywed Willard Mimms (John Hubbard) who offers to get a ransom from his new father-in-law. The first character to show his true colours is also the most unlikely, a prisoner negotiating his way out. He’s a coward and greedy, having married for money not love. Riding back to town to get the ransom set-up with one of the men. Leaving us with us with probably the worst of the gang who lead Brennan and Doretta Mimms (Maureen O’Sullivan) to a hide-out, an abandoned mine. We see the younger men start to show their lack of intelligence, a weakness that will eventually work in hero’s favor. These are not men you’d want to meet in town or out in the open, not so much ruthless as dangerous and stupid which is a terrible combination.
This behaviour begins to show to Brennan and Usher two maturer men who have lived enough to know what is right and wrong, life has happened to them and are stronger for it, it’s the paths they’ve taken which have defined them. You could say they are the same before taking different routes in life, they want their own lot part of the world, just going about it different ways. However the real transformation in the film is Doretta who wakes up and understand what she wants in life, able to change her life for the better by the end of the film.
Its a tense Western that doesn’t waste any time in getting going. You could easily place this film in the stage a 2 act piece that would have the audience begging for some release which you don’t get until a gun is fired. The tone of the Ranown Cycle is set by here, its taut, sparse and very adult for its time. None of the big personalities you get from other actors, Scott doesn’t come across steal scenes, he is very much the star but says very little and means a lot, you feel at ease with him on-screen especially out there you do.
- The Tall T (1957) (forgottenclassicsofyesteryear.blogspot.co.uk)
- The Tall T (1957) Budd Boetticher (twentyfourframes.wordpress.com)
- The Blogathon For Randolph Scott: The Tall T (1957) By Guest Blogger John Knight. (fiftieswesterns.wordpress.com)
- The Tall T (1957) (colemancornerincinema.blogspot.co.uk)
- The Tall T (1957) (elistfilmreviews.blogspot.co.uk)
- The Tall T (1957) (ranown.blogspot.co.uk)