The final part of February’s Film Talk, I looked at emotions at the train station and the homes that both Vic and Joe live in.
The next is confined to train stations. Vic (Alan Bates) walking and off his steam from the argument and his drunkenness. Whilst Joe’s (Jon Voight) is running after Ratso (Dustin Hoffman) who has just conned him. In terms of emotions they are very different. Vic’s are more internalised on screen, he is very still and tired. Whilst Joe’s is very external which we see in a combination of reality in colour and his desire in black and white, along with a flashback, a lot of emotion is on the screen. (Stills below)
Lastly the accommodation that Vic and Joe move into, Vic moves into two homes with Ingrid (June Ritchie), once at home and we presume in a flat at the end after looking around a shared house together Whilst Joe has reluctantly moved into Ratso’s condemned flat. (Stills below)
In both films we don’t see the much if any of the glamour of the 1960’s. Instead we have a more realistic representation of life from the early 1960’s with a couple who marry out of obligation before trying to make a go of married life post miscarriage. At the end of the 1960’s we have a young man whose dreams of being a hustler are dashed by the modern perceptions before learning what is more important in life taking the form of Ratso’s friendship.
March’s Film Talk will be focusing on Sons and Lovers (1960)