There was once a time when I had all but one pack to complete the Indiana Jones-esque Egyptian series of Lego, the large temple to go with the sphinx that opens to reveal a skeleton. I was so close. Then came the Rock-Raiders which I had only one part of, then the game too, that was just when Lego was starting to commercialize, not that I really noticed it. Today we have everything from Lego The Simpsons to The Avengers, It feels to me that the idea of children and now adults using their imagination to construct their own worlds is being restricted by the ever-growing series of cash-in sets. Then came along The Lego Movie (2014) which seems like the biggest cash-in/sell-out of it all, with another one in the works, a Batman spin-off too. What happened to the good old fashioned Danish toy company that has been making Lego for over 50 years.
Putting my thoughts to onside about the current state of Lego which for me was so more about building house-boats and caravans as a kid (not the most imaginative for an artist I must admit, they were the best ever though) that came out of a yellow bucket with a square four block lid on top. That was were the real fun lay for me, pouring out the bricks onto the carpet and seeing what I could build. And that is the essence of this film. It pulls away all the cash-in series to go back to the roots of the company, the play-well, the imagine and create, once you’ve followed the instruction book which can be read by anyone in any country you can dissemble to create whatever came into your head.
The Lego Movie is a celebration of all that I’ve just said really, and most of the world who has seen this film will agree, anyone who has played with the toy and got a real buzz from it, playing for hours on end. As we follow what could the most generic of the City series figures, a builder Emmet Brickowoski (Chris Pratt) who has for years followed the rules, well the instructions as long as he has been assembled. Lets talk in Lego terms for this review, it just makes sense to. Not thinking beyond the page, unlike others around him who like either sausages or fries, they all have a particular passion, not one passion for everything. He’s a sheep follow the herd blindly not seeing past the end of the booklet to see what else is possible for himself. Well except for a double-decker sofa so friends can come over and watch a film with you. You’d need a super massive TV for that to work or even a projector maybe.
Emmet the bland builder accidentally gets himself involved in what could be the end of life for him and Lego-kind as we know it on meeting Wyldstyle (Elizabeth Banks) who is on the hunt for the special one as prophesied by the great Vitruvius (Morgan Freeman) as laid out in the prologue to the film. When Emmet discovers he is the chosen special one a lot of pressure is put on him to perform, to do good on his new title in front of the master builders (an array of figures from the heaps of series of Lego from Batman to Milhouse Van-Houten to the 80′s spaceman. Everyone and everyone is there, all having a moment in the lime-light. Which is part of the wider commercial universe they have created. All these can build using their imaginations, something that Emmet is seriously lacking after years of following the instructions, conforming to the society he is a part of.
I could go on about the plot, which for me spends time in the Old West for a time before darting all over the place, animated perfectly, if there was ever going to be a Lego film it would have to have this level of detail, the lightness of touch. Nothing is left to chance, even the water is made up of Lego single circles (again Lego lingo). From the same studio that gave us Cloudy with a Chance of Meatballs (2009). It’s heaps of fun with the sensibility of Lego central to the film. With the threat of the world being frozen with super-glue close at hand, to live the live of a theme-park, which would stop creativity dead in it’s tracks. We must remember the power of imagination, how it allows us to get carried away, to create and build whole worlds, even with a few bricks.
When we pull away to the real-world, which was a brave yet natural progression, to see the toy as it actually is the argument between father and son is played out, to play with the bricks, or to glue them frozen which defeats the object of toys. The danger of reaching adult-hood where we can loose that creativity, to move away from ‘childish’ things. Something I have seen before when action figures are collected in hope they stay in the packaging in the hopes that it will increase in value, we forget what toys are for, to play with.
I started off talking about how I view the current state of Lego which I feel has lost it heart with sets for every film franchise under the sun which restricts to a point imagination of the player. Yet on the other side of the argument with those figures in your hands the story continues so it’s not all bad, The Lego Movie is living proof they are thriving, even in the hands of a major film company. I just can’t see where a sequel can go, except as the ending suggests an invasion from Duplo, the film is perfect as a stand-alone for me.